The way 2020 unfolded, it seemed to offer a musical choice akin to “fight or flight”: Either you 1) embraced pandemic-inspired music and/or music reflecting the turbulent social upheaval all around us; or, 2) you embraced[…]
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Playing some year-end catch-up on local reviews: Jackie Venson, Bill Callahan, Ringo Deathstarr
For me, the last few months haven’t been conducive to new posts. But the break I took from fresh entries here on Ear Traffic, I’m telling myself, was warranted because the less that’s written about 2020,[…]
Love & Lightstream, and what live music looks like in late summer 2020
In this “Take what you can get” year, where that phrase applies to just about anything related to fun or general fulfillment, Love & Light gave us something. A sweltering, tasty, festive something that —[…]
Groundbreaking vs. Good: “Old Town Road,” “The Git Up” and the future of whatever this whole thing is
Ever heard of Hasil “the Haze” Adkins? Unless you’re a serious music historian or record collector, there’s a good chance you haven’t. Adkins was a West Virginia country boy who recorded a unique sort of rockabilly in[…]
Album review: Black Pumas (self-titled debut)
If you’ve followed Black Pumas’ rapid local ascent and have heard “Black Moon Rising,” there won’t be a whole lot to surprise you on the duo’s debut album. I didn’t get surprised by a whole[…]