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Ear Traffic ATX

Discriminating music appreciation in a congested city

Jane-Ellen-Bryant-Free-Week-7

Shows: Jane Ellen Bryant & Jaimee Harris @ the Belmont, Free Week

January 30, 2020 Joeyconcert review

This feels like a solid endorsement for two singer-songwriters performing together in a song swap: After seeing Jane Ellen Bryant and Jaimee Harris do just that, I could easily see them in a band together. The[…]

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alex-lahey

The HI-35: Ear Traffic’s top tracks of 2019

January 25, 2020January 25, 2020 Joeymusic news

Took me a little while to finalize Ear Traffic ATX’s HI-35 for 2019. I’ll offer no extensive year-summing preamble for my annual ranking of the year’s best tracks (as opposed to my previous ranking of my favorite[…]

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Black Pumas

Ear Traffic’s top local tracks of 2019

December 31, 2019December 31, 2019 Joeymusic news

(Photo by Nicole Berlin Photography)   Always arguable, but always fun: Year-end lists are a jam of mine. Here are my 15 favorite tracks by local artists in 2019, with a few honorable mentions to kick us[…]

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Molly Burch xmas

Traffic Jam: Holiday cheer from Molly Burch, the Black Pumas’ land speed record, Torino Black

December 18, 2019December 19, 2019 Joeyartist feature

It’s rare that anything ever stands between me and listening to music. (Between listening to music and I? Eh, I’m not going to bother checking. ) But every now and then, life stands between me[…]

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MikeMelinoeResized

Interview: Mike Melinoe, back in his real domain

November 14, 2019November 14, 2019 Joeyartist feature

(Photo by Caitlin Rounds)   This summer, Mike Melinoe was homeless. It was only for a couple of weeks, but there’s no “only” in homelessness, is there? He was sleeping at the Domain. Yes, the shopping[…]

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Motorhead overkill

Here are some of my musical limits. Where are yours?

November 6, 2019November 7, 2019 Joeymusic opinion

“This is too hard for me.” “Too soft for me.” “Too poppy for me.” “Too punk for me.” Chances are, if you listen to music with any regularity, you’ve thought something along these lines, and maybe[…]

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