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Ear Traffic ATX

Discriminating music appreciation in a congested city

Category: music news

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Ear Traffic’s Best of 2025: Local and overall albums, tracks

December 31, 2025January 1, 2026 Joeymusic news

(Top photo of Blondshell by Nicole Berlin Photography: @nicoleberlinphotography)   “What a year, huh?” … “Lemon, it’s Wednesday.” That twist on one of “30 Rock’s” most memed moments seems apropos as we wind down 2025[…]

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Shows: Portugal. The Man @ ACL Moody, Dec. 12

December 22, 2025December 23, 2025 Joeyconcert review

(All photos by Nicole Berlin Photography: @nicoleberlinphotography)   Pretty good? Yeah. Curiously programmed? Also yes. When a highly successful alt-pop act like Portugal. The Man has a two-hour set ahead of them, and one hit of[…]

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Artist interview: S.L. Houser heeds her “phantom limb” as her solo career moves forward

October 28, 2025October 28, 2025 Joeyartist feature

Sara Houser’s long-developed reputation in Austin’s music community hasn’t come by way of putting herself out there as a solo artist. Yet, in emerging from the COVID-19 pandemic with solo billing and a new musical direction, the Austin[…]

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ACL Weekend 1 full recap: Shoutout to festival security, and to the best performers of the weekend

October 12, 2025October 12, 2025 Joeyconcert review

(Top photo by Greg Noire, ACL Festival)   An assessment of the success of any music festival — or any entertainment event — in the U.S. in 2025 seemingly has to include the following “pro” as[…]

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ACL Day 2 quick recap: Yes, rock is still a thing at this festival — New Yorkers Hotline TNT and the Strokes see to it

October 5, 2025October 5, 2025 Joeyconcert review

We all hear it, particularly if you regularly interact with Austinites over about the age of 40: some variation of the perception that ACL (and popular music in general) are leaving rock ‘n’ roll behind, or words[…]

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ACL Day 1 quick recap: Cage the Elephant seemingly in a good place; King Princess’ claims to royalty prove to be reasonable

October 4, 2025October 4, 2025 Joeyconcert review

Fourteen years ago, I saw an ascending (and polarizing) Cage the Elephant at a one-and-done music festival in Kansas City, Kan., that was called — and this still makes everyone who hears it wince —[…]

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